Star Wars: An Intergalactic Joyride :: essays research papers fc

aesthesis Wars An Intergalactic Joyride" principal Wars" is the highest grossing movie of all time. It is also one ofmy favorites. It was released in May 1977 and re-released in a restored andenhanced Special Edition just last month. at that place are many different criteria thatcan be used to observe track Wars appeal. Gary Arnold and Edward Rothstein,two movie critics who had the opportunity to review this great movie, apologiseits appeal in very much the same way. There is a difference though. Arnoldreviewed the original Star Wars twenty years ago and Rothstein reviewed the youthful Special Edition. While they reviewed slightly different versions, theyboth came to the conclusion that Star Wars is a great movie based on similarcriteria. They judged Star Wars on its ability to redact on classic styles andtimeless stories to attain something new and absolutely original.     The main factor in both of their irrefutable reviews is the skill of write rand director George Lucas to blend the old with the new. They were bothaffect with his miraculously fresh configuration of many different themesfrom classic movie theatre and mythical origin into a cohesive and entertaining movie. Hehas achieved a witty and exhilarating synthesis of themes and cliches from theFlash Gordon and Buck Rogers comics and serials, plus much(prenominal) related exclusively lessexpected sources as the western, the pirate melodrama, the animated combatmelodrama and the samurai epic. The movies irresistible stylistic charmderives from the fact that Lucas can draw upon a variety of action-moviesources with unfailing deftness and humor. He is in extremum command of hisown movie-nurtured fantasy life. Gary Arnold, Washington Post Staff writerMr. Rothstein along the same lines as Mr. Arnold, mentions that the plot lineof Star Wars follows the mythic archetechture outlined by Joseph Campbell in hisstudy of myth, "The Hero with a 1000 Faces," which h as influenced Mr.Lucas.Another aspect, unique to Rothsteins review of the new Special Edition butnot quite different from Arnolds assessment, is the way in which the moviecelebrates the noncurrent and not the future. This aspect of Star Wars, Rothsteinsays, is what screams out in opposition to the high-budget, high-tech, special- military unit spectaculars that it (Star Wars) spawned. This is where, Rothstein says,that Star Wars gets its authenticity. The whimsical ramshackleness is actuallymeant to be a sign of the heroes authenticity what is older is more powerful...technology, when it appears in Star Wars, is evil, ghastly, massive andbrutish..."advanced" initiation is most evident in the space ships of the evil